![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
Cast
|
| Director | Jane Unger | |
| Scenic Design | Jeff Carey, Ryan Prince | |
| Costume Design | Georgianna Londre | |
| Light Design | Ryan Wentworth | |
| Fight Choreographer | Tim Pinnow | |
| Propmaster | Ryan Prince | |
| Sound Design | Tristan Wilson | |
| Stage Manager | Elizabeth Zurn | |
| Assistant Stage Manager | Kendra Dolton | |
| Dramaturge | Cody Cosmic |
| Robert Ford | John Keabler | |
| Dottie Ford; Audience Mbr | Trary Maddalone | |
| Soapy; Bill;
Saul Turtland; Lawyer One; Audience Mbr |
Chad Afanador | |
| Dingus; LeSinge; Audience Mbr | Martin Buchanan | |
| Mary; Darla
Deulappe; Audience Mbr |
Diana Dresser* | |
| Ma; Mormon
Queen Emma Evans; Audience Mbr |
Christy Brandt | |
| Louise; Lulu Slain; Audience Mbr | Jessica Jackson | |
| Lola Montez; Virginia Marlotte | Anne F. Butler | |
| Charley Ford;
Benjamin Tuthill; Desmond Evans |
Joshua Landay* | |
|
||
| Banjo | Avery Auger | |
| Guitar | Steve Baxter | |
| Fiddle | Bucky Baxter |
| *Member
of Actors’ Equity
Association, the Union of Professional Actors and Stage Managers in the United States. |
by Matthew Barber
From the novel by Elizabeth von Arnim

“To those who appreciate wisteria and sunshine,” we
dedicate this production of Enchanted April.
Lottie is determined to shake off the depressing
realities of her marriage and England after World
War I. To cure the bleakness, she convinces three
other women to join her in renting an Italian villa
for one month. At first, the unlikely association
of two Hamstead housewives, a London matron and
an aristocratic socialite seems doomed and possibly
disastrous. Their lives have been stifled for so
long; what can change in a month? And how can they
bring the Italian sunshine back to their ordinary
English routines? Nominated in 2003 for the Tony
for Best Play, we know you’ll revel in the
beauty of this lyrical romantic comedy.
(Rating: 12 + years)
| Director | Maurice LaMee | |
| Scenic Design | Jeff Carey, Ryan Prince, Ryan Wentworth |
|
| Costume Design | Georgianna Londre | |
| Light Design | Ryan Wentworth | |
| Propmaster | Ryan Prince | |
| Sound Design | Tristan Wilson | |
| Stage Manager | Jonathan Allsup | |
| Assistant Stage Manager | Kendra Dolton | |
| Dialect Coach | Rebecca Bossen | |
| Dramaturge | Cody Cosmic |
| Lotty Wilton | Allison McLemore | |
| Mellersh Wilton | Chad Afanador | |
| Rose Arnott | Trary Maddalone | |
| Frederick Arnott | Alan Echeverria | |
| Caroline Bramble | Rebecca Gibel | |
| Antony Wilding | Martin Buchanan | |
| Mrs. Graves | Peggy Pharr Wilson* | |
| Costanza | Anne F. Butler |
| *Member
of Actors’ Equity
Association, the Union of Professional Actors and Stage Managers in the United States. |
Music and Lyrics by Stephen
Sondheim
Book by Hugh Wheeler

“ATTEND THE TALE OF SWEENEY TODD.” With
these simple words, begins the twisted account
of a once gentle barber twisted into a murderer
by his quest for vengeance. At first he seeks only
to punish the men who destroyed his life. When
his revenge turns to bloodlust, however, London
is filled with terror—not to mention new,
mysterious and delicious meat pies! Only Mrs. Lovett,
the baker downstairs, sees the sunny side of their
new enterprise. Based on a true story, the legend
of Sweeney Todd has fascinated audiences for decades,
and here we find it masterfully told by two of
America ’s greatest musical collaborators.
Filled with dark humor and beautifully chilling
music, Sweeney Todd has already won 9
Tony Awards and has taken its rightful place as
one of Sondheim’s greatest musicals.
(Rating: 12 + years)
| Director | Francis X. Kuhn** | |
| Musical Director | Michelle Alexander | |
| Scenic Design | John David Paul | |
| Costume Design | Georgianna Londre | |
| Light Design | Ryan Wentworth | |
| Propmaster | Ryan Prince | |
| Sound Design | Tristan Wilson | |
| Stage Manager | Jonathan Allsup | |
| Assistant Stage Manager | Kendra Dolton | |
| Assistant Stage Manager | Elizabeth Zurn | |
| Dialect Coach | Rebecca Bossen | |
| Dramaturge | Cody Cosmic |
| Sweeney Todd | Patrick Ryan Sullivan* | |
| Mrs. Lovett | Peggy Pharr Wilson * | |
| Anthony Hope | Joshua Landay* | |
| Tobias Ragg | Michael Bouchard | |
| Beggar Woman | Jessica Jackson | |
| Judge Turpin | To Be Determined | |
| Johanna | Candice Bondak | |
| Pirelli | Christy Brandt | |
| The Beadle | Martin Buchanan |
|
| Jonas Fogg | Jeff Carey | |
| Members of The Company | Rebecca Gibel |
| *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. | ||
| **The Director is a member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. |
by Alan Ayckbourn

Murder, blackmail and the eternal bonds of family
drive this suspenseful dark comedy. At her father’s
sudden death, Annabel must return to England to
settle his estate. The shock of his death, however,
pales in comparison with her sister’s news.
Miriam is accused of murdering their father, and
if they cannot meet a blackmailer’s costly
demands by that evening, the police will be notified.
With her sister’s innocence in question,
Annabel now faces the double dilemma of how to
protect Miriam without becoming a murderer’s
accomplice. As darkness falls around them, the
sisters frantically work to confront their past,
defeat their blackmailer, and make a path for the
future. Each step, though, takes them farther and
farther from the reality they once trusted.
(Rating: 12 + years)
| Director | Anthony Powell** | |
| Scenic Design | Michael Duran | |
| Costume Design | Natalie Maynard | |
| Light Design | Ryan Wentworth | |
| Propmaster | Ryan Prince | |
| Sound Design | Tristan Wilson | |
| Stage Manager | Jonathan Allsup | |
| Assistant Stage Manager | Kendra Dolton | |
| Dialect Coach | Rebecca Bossen | |
| Dramaturge | Cody Cosmic |
| Annabel Chester | Anne F. Butler | |
| Miriam Chester | Allison McLemore | |
| Alice Moody | Jessica Jackson |
| **The Director is a member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. |
by Steven Cole Hughes

From the writer of last year’s run away
hit, Slabtown, this intriguing new work
brings contemporary light to one of mankind’s
oldest struggles. When Will arrives in Denver,
his plans are simple: write a play, return home
to Chicago. Then his bus crashes, and the events
that follow are anything but simple. His bus driver,
Travis, ends up hospitalized—but not before
he steals Will’s writing journal. As Will
tries in vain to convince Travis to return his
precious journal, he realizes that this gritty
bus driver could give him the raw material for
the best play of his career. Sensing Will’s
desperation, Travis grudgingly agrees to talk with
him more, in exchange for free meals and drinks,
of course. In their conversations, however, mutual
suspicion turns to defiance, and the outcome leaves
us all questioning what being “civilized” really
means.
(Rating: 17+ years)
| Director | Jamie Horton | |
| Scenic Design | Michael Duran | |
| Costume Design | Georgianna Londre | |
| Light Design | Ryan Wentworth | |
| Propmaster | Ryan Prince | |
| Sound Design | Tristan Wilson | |
| Stage Manager | Kendra Dolton | |
| Assistant Stage Manager | Jonathan Allsup | |
| Dramaturge | Cody Cosmic |
| Will | Steven Cole Hughes* | |
| Travis | Mike Hartman* |
| *Member
of Actors’ Equity Association,
the Union of Professional Actors and Stage Managers in the United States. |
by Jeff Carey

Come play with us! A theatrical collaboration of young people, professional artists and puppets. Emilia's Tree invites kids of all ages on a magical adventure.

| 124 N. Main Street • PO
Box 269 • Creede, CO 81130 719.658.2540 • Toll Free: 866.658.2540 • jonathan@creederep.com • www.creederep.org |
| ©1995-2008 Creede Repertory Theatre. All Rights Reserved. Legal Notice. Web Site Credits |